I think most will agree Color Finale Pro is in a league of its own, with its support for ACES, X-Rite calibration feature and control surface capabilities, but Colorista 4.0 is nothing to sneeze at, either.
It offers full control over the look and feel of the noise you add and has extended controls for sharpening, texture and types of grain you want to add. What the Renoiser plug-in is good at, however, is to give digital footage a grainy film look. If you don't like the plastic look you inevitably get with a heavily denoised image, I wouldn't recommend using the brand new Renoiser 1 to add noise again. Rendering noise reduction results remains a slow affair, though.ĭenoiser 3.0 effect depicted in middle section Denoiser 3.0 gives splendid results out of the box.
In Final Cut Pro X, I used Photon Pro, which did a good job, but required a lot of repeated small adjustments to get it right, taking an awful lot of time. Denoiser used to work only with Adobe products. Here's a plug-in that has been entirely rewritten, resulting in a slimmed down set of controls. Perhaps the least spectacular, but most important new module in Magic Bullet Suite 13 is Denoiser 3.0. Adobe After Effects and Premiere Pro users will be happy to know that Looks 4 and Denoiser 3 now enjoy Mercury support, which means they now have real-time playback of the effects in their favourite composition and editing applications. Version 13 includes new versions of Colorista, Looks, Denoiser, Film, Mojo and Cosmo.
RedShark Review: Red Giant releases Magic Bullet Suite 13, a complete grading solution for Adobe products, as well as Final Cut Pro X.įinal Cut Pro X users rejoice: all of Red Giant's Magic Bullet Suite modules now work as plug-in to your beloved NLE. Colorista Panels in Magic Bullet Suite 13
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